The recurring theme of my work is lo-fi interaction and a serendipitous exploration of uncensored and unaltered text and imagery. Stepping back and becoming the observer of texts and imagery, these records are then collated, structured and indexed. The restraint of only using systems discovered during these projects creates a genuine and authentic outcome.
11/11/255/1 is a poster that explores the events of interaction.
The camera is handed to a recipient; Light exposes the film; Recorded imagery is used and printed onto light-box stock which is then projected back into the environment it originated in.
In the static die-cut poster the idea of light passing through strips of film has been explored.